This is much greater capacity than P2 but with more highly compressed images.Guide: How to Shoot Bullet Time Do we adopt 4K now or wait for 8K Shooting with Uncoated Lenses PMW-F5F55 Version 3 Upgrade Shoot the best quality 200fps available using Odyssey 7Q and Sony FS 700C500 What is the collective term for tripod tubes Shooting with HD Video lenses on large sensor cameras.
![]() The XDCAM EX format uses the same basis for data compression system (codec) as HDV and its larger brother, XDCAM HD, which is the well-proven MPEG 2 long-GOP, so the format though fairly new relies on well-proven technology. The cameras have been extremely well received by producers and cameramen alike owing to the quality being the best of its category. Worth mentioning that XDCAM EX, unlike the Panasonic P2 format does capture the full 1920x1080 pixels when capturing to solid-state cards when recording in HQ format 35Mb mode. The P2 system and SP recording modes actually only record 1440x1080 but still looks really good though. The Sony EX-3 also has interchangeable lenses using a new adapter that permits 23 HD lenses to be fitted for great versatility, so that for the first time, HD cine-style and HD Prime lenses and long HD lenses can be fitted to a camcorder in this class. Xdcam Hd Software And HardwareThere is even an archive function within the design of the Sony software and hardware which allows XDCAM EX data and edit archive to be stored to XDCAM-HD optical disks a great and low-cost media format. Anton Bauer makes a powering option, which helps to balance the camera in this mode but then you must use Anton Bauer batteries. Although this compression codec is not new, the format is still relatively young, so you will need to have the latest version of FCP and AVID Media Composer version 3 for the XDCAM workflow to work properly. Although saying that, once the appropriate pug-ins are used, the system works very well. What is happening here is that the free Sony clip browser software quickly and easily rewraps the respective XDCAM formats into versions which both FCP and AVID can both read directly but does this within the FCP or AVID applications so you dont have anything else to do. Thus post- production is easy and compatible with all current formats. Under conditions of strobe lighting, it may cause blockiness on certain frames during the recording. This is because the compression scheme relies on the previous frames to build future frames and a problem may be caused if a previous frame breaks the predicted pattern. This may make the compression scheme unsuitable for certain types of programming, though I would stress that these conditions are rare. This does not mean that you cannot use XDCAM EX for chroma key - it uses the same colour compression system as DV and HDV, so if you currently use these formats for chroma-key and you are happy with the performance, then there is no issue However, it is worth knowing that the chroma-key cutout will not be as clean as when working in a 4:2:2 colour space format, such as XDCAM HD 4:2:2 or DVCPro HD. There has to be a price to pay for efficient coding and this is it. XDCAM EX with an EX-3, then aside from the technical and subjective comparisons of image production values, they will look very similar but the chroma-key will be superior on the P2 system since twice the colour information is recorded on the Panasonic codec. Thus chroma-key and heavy grading will also be easier using 4:2:2 formats but this does not matter on most productions worth being aware of though. All of the new systems do, but if your one doesnt, then the superior post-production workflow will be of little benefit to you. ![]() The cameras have using two memory card slots and a pair of 32 GB SxS PRO memory cards can record up to 280 minutes of HD footage.
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